Kool Living – Faile

£395.00

FAILE is the Brooklyn-based artistic collaboration between Patrick McNeil and Patrick Miller. Since its inception in 1999, FAILE has been known for a wide ranging multimedia practice recognizable for its explorations of duality through a fragmented style of appropriation and collage.

While painting and printmaking remain central to their approach, over the past decade FAILE has adapted its signature mass culture-driven iconography to an array of materials and techniques, from wooden boxes and window pallets to more traditional canvas, prints, sculptures, stencils, installation, and prayer wheels. FAILE’s work is constructed from found visual imagery, and blurs the line between “high” and “low” culture, but recent exhibitions demonstrate an emphasis on audience participation, a critique of consumerism, and the incorporation of religious media, architecture, and site-specific/archival research into their work.

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Kool Living Print from Faile is a signed limited edition. Measuring 24 x 30 inches. Printed on Archival Ink on Entrada 290gsm Cotton Rag. Embossed, Signed and Numbered.

The Kool Living print is based off the painting from the Off The Walls show at Danysz Gallery in Paris. This is a luscious archival digital ink on a heavyweight archival art paper, that captures all the detail of the canvas and painted love.

FAILE is the Brooklyn-based artistic collaboration between Patrick McNeil and Patrick Miller. Since its inception in 1999, FAILE has been known for a wide ranging multimedia practice recognizable for its explorations of duality through a fragmented style of appropriation and collage.

While painting and printmaking remain central to their approach, over the past decade FAILE has adapted its signature mass culture-driven iconography to an array of materials and techniques, from wooden boxes and window pallets to more traditional canvas, prints, sculptures, stencils, installation, and prayer wheels. FAILE’s work is constructed from found visual imagery, and blurs the line between “high” and “low” culture, but recent exhibitions demonstrate an emphasis on audience participation, a critique of consumerism, and the incorporation of religious media, architecture, and site-specific/archival research into their work.

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